top of page
Tìm kiếm
Ảnh của tác giảtshirt Eco

Best bar champs logo shirt

the Best bar champs logo shirt and by the same token and director of the new production starring Daniel Craig and Ruth Negga that begins performances at Broadway’s Longacre Theatre next week, put it to me in January, in the middle of the omicron surge, speaking from his New York City apartment. “I’m holed up here, running Zoom school with my kids, and in the meantime, thinking of all the death and destruction. People have a lot of rage and a lot of dark thoughts in times like these. And instead of jumping off a bridge, or going into fits of rage, can you go into a theater with your community and watch this darkness play out, and let Shakespeare help you through the catharsis?” The director researched rage rooms as he contemplated his production, he tells me—those padded-wall spaces where people put on protective suits and goggles, and then unleash their fury on an unsuspecting pile of plywood or other smashable material. “That’s why I wanted to do Macbeth,” he says, “to give everyone that rage room.”


Best bar champs logo shirt
Best bar champs logo shirt

But the Best bar champs logo shirt and by the same token and first step in putting this production together was much friendlier. Back in the fall of 2021, Gold gathered many of his actors—including his two leads—the costume designer, and the play’s dramaturge at a bright and airy rehearsal space in lower Manhattan, where they sat around collapsible tables, with windows open and HEPA-filter air purifiers humming. Such a well-attended read-through and workshop, many months before rehearsals were set to begin, is somewhat unheard of in theater, where busy schedules usually preclude such an assembly. A bittersweet benefit of the pandemic: Many actors were out of work and available. The performers made their first forays into the text, explained what they were thinking, and asked questions. There’s a humbling process when you engage in this kind of preamble, Craig explains. “I couldn’t imagine not doing it,” he says. (Craig knew Gold from having played Iago in the director’s 2016 production of Othello at the New York Theatre Workshop.) “It opens up everything and makes you realize you know very little, which is scary, but it allows for all the possibilities to come in.” Watching those initial reads, says costume designer Suttirat Larlarb, gave her “a rare opportunity to see where the actors’ instincts began with these characters. We got to simmer together in how this might be approached in a way that was very rare.”


5 lượt xem0 bình luận

Bài đăng gần đây

Xem tất cả

Comments


Bài đăng: Blog2_Post
bottom of page